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Dondology

Who We Are!

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Enam Music: Spiritual Music Artist

DONDOLOGY:

REPOSITIONING AN AUTHENTIC AFRICAN CENTERED FIELD OF STUDY

Dondology, named after the Ghanaian Akan dondo double-headed drum held and played under the arm, emerged in the 1960s and 1970s as a derogatory term often used to characterize the curriculum of students in the Departments of Music, Dance, and Drama (now Theatre Arts) at the University of Ghana, Legon. Those scholars were considered ‘low brow’, thought to only drum, dance, act, and sing, wasting government resources. According to Nana Dr SKB Asante, Prof. K. Abotsi writes,
 

​Dondology was actually invented by a student at the University of Ghana who wrote a letter to the vice chancellor protesting the presence of the dondo onto the serene, and to borrow Nana’s description, ‘rarified’ university of Ghana campus, and complained of its lowering the standards of the university. Prof. Nketia loved the word and rather championed it abroad (Abotsi‘ Critical and Biological Essays’ https://www.myjoyonline.com/prof-e-kofi-abotsi-reviews-nana-dr-skb-asantes-critical-and-biological-essays-book, 2023)

Mission

Our mission at this Symposium is to reclaim and appraise dondology as:

  1. a robust trans-disciplinary intellectual arts discipline (Akpome, 2024);

  2. a knowledge project that centers Indigenous scholarship;

  3. an epistemological, creative, scientific, spiritual, economic, metaphysical field of study;

  4. an innovative African-centered field of study with immense creative, economic, socio-cultural, and economic potential for the African community;

  5. a theorized and defined field of study; and a

  6. sustainable discipline for futurities.
     

By “talking/taking back” dondology as an affirmation of our Ancestral scholarship and re-envisioning it as a resistive “alternative to colonial thinking” (Dei, 2024), we actualize and expand upon Professor Nketia’s vision to “reinstate traditional music and dance in contemporary contexts” (2016). This is an action-oriented, anti-colonial, and unapologetic engagement with our rich intellectual traditions to emphasize their relevance and support their sustainability.

We will 1) 2) define and theorize dondology, 3) reposition dondology as an African-centered discipline, and 4) deliberate ways to sustain dondology for futurities.

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Professor George Sefa Dei, University of Toronto, Keynote Speaker

Our Vision is to

  1. position Dondology as a legitimate field of study involving music, dance, theatre arts, and other creatives.

  2. position Dondology as an authentic system of thought within Indigenous philosophies.

  3. position Dondology as an African Cultural Library.

 

Dondology Advocacy Committee

Professor Nana Ama Oforiwaa Aduonum

Edem Kwaku Akpornorvi

Julius Stbaayel

 

Co-Sponsors of Symposium

Aduonum Creative Projects

National Association for Traditionalists and Ancestral Venerators

African Women’s Collective

Professor Francis Gbormittah

First Annual Symposium for Dondology on 31st July, 2025 

Invited Guests, Organizations, Units, Scholar-Artists

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  1. Professor George Sefa Dei (Keynote Speaker), University of Toronto

  2. Nuumo Tsawe Otrome Kpone, Jamestown, Accra

  3. Kete Scholars-Artists, Asokore, Koforidua

  4. UNESCO-Accra, Ghana

  5. Alliance Francaise-Accra, Ghana

  6. Ghana Folklore Board, Accra, Ghana

  7. Bureau of Ghana Languages, Accra, Ghana

  8. Ghana National Theatre, Accra, Ghana

  9. University of Ghana, Legon, Ghana

  10. Radio Univers, Legon, Ghana

  11. National Commission on Culture, Accra, Ghana

  12. Creative Arts Agency, Accra, Ghana

  13. UG Association of School of Performing Arts (ASPA)

  14. University of Ghana School of Performing Arts

  15. Empress Signature, Tema
    • Music Department

    • Dance Department

    • Institute of African Studies

  16. Department of Theatre Arts

Location: Balme Library, University of Ghana

Time: 9am to 4pm

We are inviting everyone to come witness the first annual symposium for dondology

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